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Punch-Drunk Love (2002) Movie Storyline :Barry Egan runs his own company, is continually hounded by his seven sisters, and every now and then gets a tiny bit violent. One odd morning a harmonium first appears in the street then a striking young lady asks for his help with her car. She re-appears a few days later and there seems to be a spark between them, but can they possibly cut through his seemingly over-complicated life and his somewhat unusual interpersonal skills?
This Movie released on 1 November 2002 in Theater. You can watch Punch-Drunk Love movie online streaming within 95 min minutes in length. Let me watch this movie trailer below, and also watch full length Punch-Drunk Love (2002) in HD without survey or downloading.
Watch Punch-Drunk Love (2002) Movie Trailer
Title : Punch-Drunk Love (2002)IMDB Rating : 7.3Date Released : 1 November 2002Genre : Comedy, Drama, RomanceStars : Adam Sandler, Emily Watson, Philip Seymour Hoffman, Jason AndrewsMovie Quality : HDripFormat : MKVSize : 870 MB
Punch-Drunk Love Movie Review
Biggest surprise of the year - an Adam Sandler art film
I caught this at the New York film festival and my expectations were about as low as they could be. I was never a huge Adam Sandler fan, and I hadn't ever taken a liking to PT Anderson's other films. I thought that Magnolia was pretty flimsy writing-wise, and I also thought that it got way too much undue attention when it came out.
I couldn't believe how great Punch Drunk Love was. It seems to be the polar opposite of Magnolia. Where Magnolia was sprawling, messy and often generic, Punch Drunk Love is short, tight and completely fresh. It reminded me of Fargo, in a way. It centers on a very small cadre of characters, it's incredibly focused, and it creates its own world for those characters to live and move around in.
It's been mentioned here before, but the art direction is stunning. I haven't seen such memorable visuals since The Royal Tenenbaums. In a grocery store scene, the items are stacked vertically by color (echoing the color bars that appear periodically between scenes), making the scene appear otherworldly. Other sets are bare of color or distinction. Sandler's love interest in the film (played by Emily Watson) lives in a maze of white corridors. Somehow, every "place" in the film has its own character and association. Even the characters become associated with particular colors.
The movie ends up being genuinely romantic while deviating completely from the very stale paradigm for romantic comedies of the last decade: Watson's character pursues Barry Egan; their inability to hit it off from the start is more character-driven and psychological than situational. Through the use of bizarre props and surreal scenes, the anxiety and frustration of Barry Egan becomes totally absorbing and affecting.
This is a wonderfully directed film. There isn't an extraneous moment. The visual style and pacing are particularly great. There's an interesting subtext in the film about communication - enormous background noise while characters are on the phone, Barry Egan's sisters' voices create this wall of noise (all voices making fun of him), telephones figure predominantly, the opening scene is completely bereft of background noise or music. There are a lot of interesting things to consider when it comes to the theme of communication and how sound is handled in the film.
That said, I'm already cringing at how most people are going to react to this. The Adam Sandler fans might find it too weird. People who liked PT Anderson's other movies might find it too pretensious. I was thrilled to have my low expectations completely overturned. This movie is great.
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